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TIBSLC: Delusive Tongue Shifts – Situation-Based Compositions Album Review

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TIBSLC: Delusive Tongue Shifts - Situation-Based Compositions Album Review

In just 10 releases in the past four years, Manchester’s Sferic label has established a remarkably consistent identity – one ironically defined by the near-lack of any identifying features. On records by Space Afrika, Jake Muir and Perila, among others, Sferic has developed an amorphous interpretation of Ambient that gently but firmly frees the music from any New Age acnotations and pushes it into a nebulous space in which certainties are dissolve. The label’s releases train a soft focus lens on muted synthesizers, spongy textures and indistinct field recordings, all of which are hidden under layers of reverb and hiss. The resulting forms resemble collections of objects buried under fresh snow, their outlines barely visible, their origins no longer clear. The longer you listen to a particular Sferic release, the less obvious it becomes which parts were played or programmed and which are pure coincidence. The label’s publications suggest a similar question: How plastic are the seams between order and disorder, or intent and chance?

Leipzig’s TIBSLC fits perfectly with Sferic. His name is short for “The International Billionaire’s Secret Love Child,” the kind of nickname one would expect from a third-rate ska-punk band or perhaps a Grand Royal engagement that could never make up for its progress. But his music of the last few years, mostly self-published, does not sound like the associations that the code name could arouse. It’s a speckled surface of shimmer and hum: weightless like a sigh, blotchy like a bruise, cozy and unsettling at the same time.

Delusive Tongue Shifts – Situation Based Compositions, TIBSLC’s first album for Sferic, begins and ends with the sound of trickling water, like melting snow rushing over mountain rocks. It is an effective framework: between these two liquid bookends, the album plunges us into a swirling expanse of constant movement and mutation. The opening “Soft Afternoon Pressure” introduces the sounds and techniques that will be repeated throughout the album. Muted synthesizer chords roll in waves and combine in a kind of tidal call and response. Tiny clicking noises are reminiscent of pebbles in the surf. Indistinct voices lead a private conversation, like a radio being heard through the walls of a neighbor. As the track drones on, there is a gradual, almost imperceptible intensification that is reminiscent of an orchestra straightening up, except that instead of instruments there is just running water, wind through dry grass, cicadas and electric hum.

Pretty much every track seems to have been created with the same basic tools. The record is full of indistinct tone clusters, asynchronous pulses and crackling crackling noises – an abundance of down chaos. “Extended Stay of Blue Sky” begins with what might be vinyl crackle; “Nightmode” is immersed in a phosphorescent glow. Yet even in its most peaceful form, there is a feeling of irreconcilable tension at the heart of the music. TIBSLC’s chords rarely resolve properly; it is even difficult to analyze her exact makeup as the bright overtones buck skyward and blur the intervals between notes. Everything is shrouded in a kind of arctic light, like a halo around the sun on a foggy day.

It’s not exactly difficult to create ambient music that tumbles through a sequence of ever-changing hues of cotton candy, lava lamp style. Every week, it seems, there’s a new wellness app that promises an AI-generated soundtrack that not only erases its creator’s fingerprints, but also makes you forget that you’re listening to music in the first place. Frankly, none of these suggestions have ever sounded terribly appealing. What pulls me back to TIBSLC’s music is the feeling that there is something more, something beyond my perception. The buried voices and the omnipresent hum of insects give the impression that there are hidden messages in the noise; the drone suggests an abundance of information that defies decipherment.

Listen deep enough into the dark and some of TIBSLC’s most outlandish sounds – the chatter of aviary gossip, whale song crossed with whizzing bottle rockets – begin to reveal its secrets. Rhythms are encoded in almost every level of music: galloping sub-bass impulses, filters that open and close like bellows, the accelerated clatter of a quarter that is coming to rest. Countless fluttering impulses are in play at every moment, accelerating and slowing down, trilling and throbbing and giving seemingly static sounds movement and meaning. As freely as the music seems to drift, there is no doubt that there is a guiding hand behind it; what else could explain this eerie space where the natural and the synthetic merge so seamlessly and unpredictably? TIBSLC’s mysterious tangle of textures and sensations is full of worlds to explore and teem with life.

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‘Pretty Little Liars’ Reboot ‘Original Sin’: Knowing Everything

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'Pretty Little Liars' Reboot 'Original Sin': Knowing Everything

Can you keep a secret to yourself Pretty Little Liars originally aired on Freeform from 2010 to 2017 after a group of young high school girls were threatened by secrets from their past.

The new show comes from Roberto Aguirre-Sacasa and Lindsay Calhoon Bring, who both worked on The Chilling Adventures of Sabrina, will have a similar premise. The drama – which has not officially been identified as a restart, revival, or secession – is set to take place in the present, 20 years after “a series of tragic events nearly tore the working-class town of Millwood apart”.

In September 2020, the first teaser for Original Sin was released, which carries a strong message: “It’s not what you think, bitches.”

“We are such big fans of what [original creator] I. Marlene King and created their iconic cast, we knew we had to treat the original series as #CANON and do something different, ”said Aguirre-Sacasa and Calhoon together in a statement on the new show. “So we’re leaning into the tension and horror in this reboot, which will hopefully honor what fans loved about the hit series while weaving in new, unexpected elements.”

For her part, King didn’t seem too excited.

“We are forever the PLL family. If we have to declare ourselves to #OGPLLFamily, then we will. Staring now, ”tweeted the creator of Famous in Love back then. When a follower wrote: “The corpses are not even cold,” she replied to the message: “Literally. You are somewhere in the WB jungle. “

The original show was based on Sara Shepard‘s books of the same name. Lucy Hale, Shay Mitchell, Troian Bellisario, Ashley Benson and Sascha Pieterse starred in the series.

What is the new series about – and who will be there? Scroll through the gallery below for everything we know so far:

Google News Source * www.usmagazine.com – * Source link

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Jeanine Mason Teases Roswell, New Mexico’s Season Three Time Jump – E! On-line

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Jeanine Mason Teases Roswell, New Mexico's Season Three Time Jump - E! On-line

Much has changed since Roswell, New Mexico last aired.

There was a global pandemic, a presidential election, a few billionaires spent about 10 minutes in space, and the United States government confirmed the existence of UFOs. Sure, they call them “unidentified aerial phenomena,” but the bottom line remains the same: there are probably aliens out there.

“It just made me laugh,” Roswell star Jeanine Mason says E! News of their reaction to the news. “My castmates and I just laughed and said, ‘WB’s PR budget has gone through the roof this year!’ I’m just so impressed. Nice job, team! ”

In fact, the cast is hoping that their devotion to aliens in the form of their Alien TV show could help them when the time comes.

“I mean, that’s why we’re all here. We love it,” says Mason. “Whenever something comes up, we all write to ourselves like: ‘It happens! It happens! Maybe they come to us first!'”

Google News Source * www.eonline.com – * Source link

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The best sports films and TV shows

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The best sports films and TV shows

Throw on some “Ain’t No Mountain High Enough” in the locker room and check out this all-time football classic based on the true story of Herman Boone (Denzel Washington), an all-white high school football in Alexandria, Virginia , incorporate team in 1971. Throughout history, sport has proven to be a cultural lightning rod – a forum where the game has the power to transform hearts, minds and ultimately society. As a result, the best sports films and television shows deal with the game at this level. Remember, the Titans are one of the purest and finest examples of this – using the soccer field and dressing room as a place to play out a civil rights story with far-reaching implications. In today’s world, the movie’s view of racism and brotherhood could be seen as a reductive or a pink view. But the performances – by Washington, Will Patton, a young Ryan Gosling, Donald Faison, Ryan Hurst, and more – elevate the material to moving sports melodrama at the highest level. And who can ever forget Denzel’s motivational speech in Gettysburg? —Maureen Lee handlebars

Related: Which Titan is the most memorable memory of the Titans?

Source * ew.com – * Source link

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